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Where traditional compositions generally contrast an ordered, harmonious heavenly world above with the tumultuous events taking place in the earthly zone below, in Michelangelo's conception the arrangement and posing of the figures across the entire painting give an impression of agitation and excitement, [4] and even in the upper parts there is "a profound disturbance, tension and commotion ...
The scene resembles Martin's 1841 painting of The Celestial City and River of Bliss. The oil on canvas work measures 198.8 centimetres (78.3 in) by 306.7 centimetres (120.7 in). Along with The Last Judgement, the painting was left to the Tate on the death of Charlotte Frank in 1974, in memory of her husband Robert Frank.
The End of the World, commonly known as The Great Day of His Wrath, [1] is an 1851–1853 oil painting on canvas by the English painter John Martin. [2] Leopold Martin, John Martin's son, said that his father found the inspiration for this painting on a night journey through the Black Country. This has led some scholars to hold that the rapid ...
In art, the Last Judgment is a common theme in medieval and renaissance religious iconography. Like most early iconographic innovations, its origins stem from Byzantine art , although it was a less common subject than in the West during the Middle Ages. [ 65 ]
Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...
The Last Judgment is a triptych attributed to Flemish painter Hans Memling and was painted between 1467 and 1471. It is now in the National Museum in Gdańsk in Poland . It was commissioned by Angelo Tani, [ 1 ] an agent of the Medici at Bruges , but was captured at sea by Paul Beneke , a privateer from Danzig.