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Immediately after World War II, New York City became known as one of the world's greatest cities. [1] However, after peaking in population in 1950, the city began to feel the effects of suburbanization brought about by new housing communities such as Levittown, a downturn in industry and commerce as businesses left for places where it was cheaper and easier to operate, an increase in crime ...
[10] [11] Also nearby was the Folklore Center, a bookstore/record store owned by Izzy Young and notable for being a musicians' gathering place and center of the New York folk-music scene. [12] [13] Live at The Gaslight 1962 (2005), a single CD release including ten songs from early Dylan performances at the club, was released by Columbia ...
1950s crimes in New York City (2 P) M. 1950s in Manhattan (66 P) Q. 1950s in Queens (4 P) S. 1950s in sports in New York City (10 C) Pages in category "1950s in New ...
New York City has been described as the cultural capital of the world. [1] [2] [3] The culture of New York is reflected in its size and ethnic diversity. As many as 800 languages are spoken in New York, making it the most linguistically diverse city in the world. [4] Many American cultural movements first emerged in the city.
The Cedar Tavern (or Cedar Street Tavern) was a bar and restaurant at the eastern edge of Greenwich Village, New York City.In its heyday, known as a gathering place for avant garde writers and artists, it was located at 24 University Place, near 8th Street.
Freedom was a monthly newspaper focused on African-American issues published from 1950 to 1955. [1] The publication was associated primarily with the internationally renowned singer, actor and then officially disfavored activist Paul Robeson, whose column, with his photograph, ran on most of its front pages.
The Globe Hotel building on Lake Road in Congers was built next to Congers Station, which was used for passenger travel until the 1950s. The hotel building is now retail space and apartments.
The Club (1949–1957 and 1959–1970) has been called "a schoolhouse of sorts ... as well as a theater, gallery space, and a dancehall...." [1] Created by abstract expressionist sculptor Philip Pavia, The Club grew out of the informal gatherings among dozens of painters and sculptors who all had art studios in Lower Manhattan between 8th and 12th streets and First and Sixth Avenues during the ...