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Fengxiang clay sculpture is a folk art form from Liuying village, Fengxiang County, Baoji city, Shaanxi Province. It is called “Ni Huo” by local people. In 2006, the art form was added to China's intangible culture list, and is protected a such. [1] The sculptures are often sold in markets around the lunar New Year.
Chinese knotting (中國結) is a decorative handicraft art that began as a form of Chinese folk art in the Tang and Song dynasty [1] (AD 960–1279) in China. It was later popularized in the Ming. The art is also referred to as Chinese traditional decorative knots. [2] One of the more traditional art forms, it creates decorative knot patterns.
Seal knob (紐刻) is an art that originated in ancient China and is mainly popular in East Asian countries. It focuses or decorates on the head-part or the top-side of a seal. It is a kind of sculpture or mini-sculpture. In China, the utmost important seal of all is the imperial seal carved from the Heshibi, a sacred ceremonial jade. It was ...
The arts of China (simplified Chinese: 中国艺术; traditional Chinese: 中國藝術) have varied throughout its ancient history, divided into periods by the ruling dynasties of China and changing technology, but still containing a high degree of continuity. Different forms of art have been influenced by great philosophers, teachers ...
Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture, heritage, and history. Early " Stone Age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures.
The qi (棋) was defined as the board game now called weiqi (圍棋) in Chinese (Go in Japan and the West), literally meaning "surrounding game". Current definitions of qi cover a wide range of board games, and given that in classical Chinese qí could also refer to other games, some argue that the qí in the four arts could refer to xiangqi ...
Recently, stone statues were discovered at the front of ancient tombs in the Altay and northern Xinjiang, which were probably influential. [11] The complex technology of stone sculpture seems to have followed a process of West-East diffusion, starting from Egypt and Babylonia to reach Greece, until finally reaching India with the Pillars of ...
Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753