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  2. 50 Printable Pumpkin Carving Stencils To Use as Templates - AOL

    www.aol.com/50-printable-pumpkin-carving...

    These free printable pumpkin templates will give you plenty of ... We have 50 free printable pumpkin stencils to use as templates for you to check out and ... 75 Fall Crafts for Kids. 38. Mummy.

  3. These 55 Printable Pumpkin Stencils Make Carving Easier ... - AOL

    www.aol.com/55-printable-pumpkin-stencils...

    This Halloween 2024, use these printable pumpkin stencils and free, easy carving patterns for the scariest, silliest, most unique, and cutest jack-o’-lanterns.

  4. Sticker - Wikipedia

    en.wikipedia.org/wiki/Sticker

    Brand name sticker used to label fruit. A sticker is a type of label: a piece of printed paper, plastic, vinyl, or other material with temporary or permanent pressure sensitive adhesive on one side. It can be used for decoration or for functional purposes, depending on the situation.

  5. Sticker art - Wikipedia

    en.wikipedia.org/wiki/Sticker_art

    The first recognized example of sticker art in the USA is Andre the giant has a posse by Shepard Fairey, created in 1989. [5] The first European (and non-American) sticker art project is that by Piermario Ciani, initially started in the 1980s within the Trax project and more intensely starting from 1991, [6] as also documented by a catalogue published in that year. [7]

  6. Salt Lake City - Wikipedia

    en.wikipedia.org/wiki/Salt_Lake_City

    Print media include two major daily newspapers, The Salt Lake Tribune and the Deseret News (previously the Deseret Morning News). Other more specialized publications include Now Salt Lake , Salt Lake City Weekly (a weekly independent publication), Nuestro Mundo of the Spanish-speaking community, QSaltLake and The Pillar for the LGBT community.

  7. Brooklyn Immersionists - Wikipedia

    en.wikipedia.org/wiki/Brooklyn_Immersionists

    According to the art historian Jonathan Fineberg, the ecosocial movement that transformed Williamsburg, Brooklyn in the 1990s was devoted to "a richer, more dynamically interacting whole," [2] and explored new forms of interconnected art, technology and culture in the streets, rooftops, abandoned warehouses and local media networks. [1]