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Bouquet with Flying Lovers is an oil on canvas painting by Belarussian-French painter Marc Chagall, from 1963.It is held at the Tate Modern. [1]According to Chagall himself, he started working on the painting in the 1930s when he lived in Paris, and he finished the work when he was mourning the death of his wife Bella.
Marc Chagall [a] (born Moishe Shagal; 6 July [O.S. 24 June] 1887 – 28 March 1985 [b]) was a Russian and French artist. [c] An early modernist, he was associated with the École de Paris, as well as several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art ...
The Lovers of Vence: 1957: Image online [228] Abraham and Three Angels: 1958 to 1960: Private collection Image online [229] Big Sun: 1958: Private collection Image online [230] 19 stained-glass windows for Metz Cathedral: 1958 to 1968: Metz Cathedral: Image online [231] Artist at Easel: 1959: Private collection Image online [232] Le Juif a la ...
Bouquet près de la fenêtre (Bouquet by the Window) is an oil on canvas painting by Marc Chagall dated 1959–1960. Franz Meyer, Chagall's biographer (and son-in-law), called it one of Chagall's finest flower paintings. [1] The lovers in the painting are Chagall and his second wife Valentina Brodsky.
File:Marc Chagall, 1911, To My Betrothed, gouache, watercolor, metallic paint, charcoal, and ink on paper, mounted on cardboard, 61 x 44.5 cm, Philadelphia Museum of Art.jpg; File:Marc Chagall, 1911, Trois heures et demie (Le poète), Half-Past Three (The Poet), oil on canvas, 195.9 x 144.8 cm, Philadelphia Museum of Art.jpg
The blue sky above the town contains a large, bright yellow Sun as well as various other elements from the artist's iconography – animals, musicians, and the flying couple. By juxtaposing this imagery, Soleil dans le ciel de Saint-Paul combines Chagall's love of his Mediterranean home with his characteristic dream-like pictorial vision.
The second peculiarity of La Mariée, in comparison with other Chagall paintings, is the choice of colours. The young woman wears a red dress and a white veil, while the background is mostly a mix of blue and gray. This effect allows the image of the woman to jump off the canvas and draw the viewer's attention. [1]
The Sources of Music and The Triumph of Music are two murals that Marc Chagall painted in 1966 for the Metropolitan Opera House at the Lincoln Center in New York City.. Following a commission by the Metropolitan House for Chagall's set and costume design for Mozart's The Magic Flute for its inaugural season, [1] the murals were created for the lobby of the opera house, and are visible to the ...