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Sarjana Muda was Iwan Fals solo debut album, following two albums as part of the group Amburadul, and some comedy songs released on various compilations. It was released in 1981 on the Musica label. It was released in 1981 on the Musica label.
Iwan Fals was born Virgiawan Listanto [1] in Jakarta, on 3 September 1961, to Harsoyo, a soldier, [2] and Lies Suudijah. He studied at SMP Negeri 5 Bandung and SMAK BPK Bandung. He studied at SMP Negeri 5 Bandung and SMAK BPK Bandung.
Ibu Pertiwi is a popular Indonesian patriotic song composed by Kamsidi Samsuddin in 1908. [1] The song's lyrics are about Ibu Pertiwi, the national personification of Indonesia (also interpreted as "mother country"). It is normally sung by Indonesian children, elementary and secondary school students, or played during Indonesian Independence ...
Ibu Pertiwiku (Jawi: ايبو ڤرتيويکو ; English: My Motherland) is the official state anthem of Sarawak, Malaysia. The song was adopted in 1988, alongside the adoption of the new State Flag as well, in conjunction with the 25th anniversary of Sarawak's Independence within Malaysia.
In this case, the chord is viewed as a C major seventh chord (CM 7) in which the third note is an augmented fifth from root (G ♯), rather than a perfect fifth from root (G). All chord names and symbols including altered fifths, i.e., augmented (♯ 5, +5, aug5) or diminished (♭ 5, o 5, dim5) fifths can be interpreted in a similar way.
The Grandmother chord is an eleven-interval, twelve-note, invertible chord with all of the properties of the Mother chord. Additionally, the intervals are so arranged that they alternate odd and even intervals (counted by semitones) and that the odd intervals successively decrease by one whole-tone while the even intervals successively increase by one whole-tone. [13]
Funk also uses altered extended chords, but in this genre, pieces are usually based on a vamp on a single chord, because rhythm and groove are the key elements of the style. When extended chords are voiced in jazz or jazz fusion, the root and fifth are often omitted from the chord voicing, because the root is played by the bass player. [20]
Unlike the dominant triad or dominant seventh, the leading-tone triad functions as a prolongational chord rather than a structural chord since the strong root motion by fifth is absent. [ 6 ] On the other hand, in natural minor scales , the diminished triad occurs on the second scale degree; in the key of C minor, this is the D diminished triad ...