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Museo del Prado, Madrid The Aino Myth, the Kalevala based triptych painted by Akseli Gallen-Kallela in 1891. Ateneum , Helsinki A triptych ( / ˈ t r ɪ p t ɪ k / TRIP -tik ) is a work of art (usually a panel painting ) that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open.
In a cave to their lower right, a male figure points towards a reclining female who is also covered in hair. The pointing man is the only clothed figure in the panel, and as Fraenger observes, "he is clothed with emphatic austerity right up to his throat." [34] In addition, he is one of the few human figures with dark hair. According to Fraenger:
The triptych was sold by Marlborough Fine Art to the Norwegian industrialist and art collector Hans Rasmus Astrup in 1984. It was displayed at the Astrup Fearnley Museum of Modern Art in Oslo from its foundation in 1993, until it was deaccessioned and sold in 2020, to put the museum on a stronger financial basis and to enable it to make new acquisitions to diversify its collection.
Three Studies for Figures at the Base of a Crucifixion is a 1944 triptych painted by the Irish-born British artist Francis Bacon. The canvasses are based on the Eumenides—or Furies—of Aeschylus's Oresteia, and depict three writhing anthropomorphic creatures set against a flat burnt orange background.
A triptych is a philatelic term (from the Greek: "three" + "fold") which was borrowed from the art world and having the same meaning: a set of three panels hinged together. [1] It is used to describe three se-tenant postage stamps of related design that make up a complete single design. [2]
Second Version of Triptych 1944 is a 1988 triptych painted by the Irish-born artist Francis Bacon. It is a reworking of Three Studies for Figures at the Base of a Crucifixion , 1944, Bacon's most widely known triptych, and the one which established his reputation as one of England's foremost post-war painters.
The Bladelin Altarpiece, or Middelburg Altarpiece, is a triptych painting created around 1450 by the Early Netherlandish painter Rogier van der Weyden, towards the end of his artistic career.
A triptych in the National Gallery, London (NG 1085) has been suggested as another work by the artist. [2] In Lisbon's Museu Nacional de Arte Antiga there is yet another triptych believed to have been painted by this master with the Virgin with the Child and Angels, and with St John the Baptist and St john the Evangelist in the side panels.