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Ròm is a 2019 Vietnamese film on the topic of crime and violence, directed by Tran Thanh Huy. The film had its world premiere at the 24th Busan International Film Festival on 4 October 2019, where it won the New Currents Award , becoming the first Vietnamese film to receive the award.
Ngân Khánh, Thanh Thuc, Thanh Lọc, Mỹ Duyên: Thriller, Suspense: The Musician at the Dragon Citadel (Long-thành cầm-giả ca) Bá Son Dào: Kim Anh Nhat, Quach Ngoc Ngoan, Luc Tran: Drama: Winner of the 201 Golden Kite Prize: Touch (Chạm) Minh Đức Nguyễn: Porter Lynn, John Ruby, Melinda Bennett, Tony LaThanh, Long Nguyễn ...
The House of No Man (Vietnamese: Nhà bà nữ) is a 2023 Vietnamese comedy-drama film directed and co-produced by Trấn Thành.The film stars Lê Giang, Uyển Ân, Song Luân, Trấn Thành, Khả Như, Quỳnh Lý, Phương Lan, Dương Lâm, Ngọc Giàu, and Việt Anh.
Trấn Thành (Full name: Huỳnh Trấn Thành) is a Vietnamese comedian, filmmaker, screenwriter, and master of ceremonies who works mainly in the Tamil film industry.
The film was invested by Tran Thanh with a budget of 50 billion VND, 2 years of conceptualization and scriptwriting, and 1 year of production. [7]Initially, the role of Mai's father was assigned by Tran Thanh to People's Artist Viet Anh, however, he later decided to take on this antagonistic role.
Trấn Thành is considered a multi-talented artist in many fields; he has worked as a comedian, actor, director, MC, screenwriter, etc. [5] He became a popular television host in many games shows on TV, such as Ơn giời cậu đây rồi!, Đấu trường tiếu lâm, Ai cũng bật cười, Người bí ẩn, Nhanh như chớp nhí & Rap Việt, etc.
Vietnam has submitted films for the Academy Award for Best International Feature Film since 1993. The award, previously named the Academy Award for Best Foreign Language Film, [a] is presented annually by the U.S. Academy of Motion Picture Arts and Sciences (AMPAS) to a feature-length motion picture produced outside the United States that contains primarily non-English dialogue. [2]
Toni Vall of Cinemanía rated the film 1 out of 5 stars, writing that "it is impossible to take a nonsense of such tremendous proportions seriously". [7]Javier Ocaña of El País wrote that Prime Time "is born as a dead film, as a dated film, as a rehash of ideas devoid of identity, as a commercial product with a dismal intellectual level".