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Musically, "Lover, You Should've Come Over" is a folk-pop [1] and soul ballad. [2] The song has a length of 6:43, [3] and is composed in 6 8 time and the key of D major.It moves at a tempo of 120 beats per minute, and Buckley's vocal range spans more than two octaves, from B 3 to D 6. [4]
Live at Sin-é is a live EP by Jeff Buckley.The four-song EP was Buckley's first commercial recording and was released in November 1993 on Columbia Records.The EP captured Buckley, accompanying himself on a Fender Telecaster, in the Sin-é coffeehouse in New York City's East Village, the neighborhood he had made his home.
Live in Chicago is a live DVD by Jeff Buckley, recorded on May 13, 1995 at Cabaret Metro during the Mystery White Boy tour. Soul Coughing co-headlined the show, and only audio of their set was recorded. [1]
The music and lyrics, as well as the singing, belong to Shelley. [11] The song uses the verse-chorus formal pattern and is in the key of E major. Both the verse and the chorus start with C♯ minor chords (sixth degree in E major, and relative minor key of E major), which "give [the song] a distinctly downbeat, edgy feel."
"You Don't Treat Me No Good" is a song by American soul group Sonia Dada. Released in 1992 as the group's debut single outside the United States, the song reached number two in New Zealand and became an unexpected number-one hit in Australia, spending four weeks atop the ARIA Singles Chart and ending 1993 as the nation's third-best-selling hit.
"Lover" is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart. It was sung in the movie Love Me Tonight (1932) by Jeanette MacDonald. [1]Popular recordings in 1933 were by Paul Whiteman [1] and His Orchestra (vocal by Jack Fulton), Guy Lombardo and His Royal Canadians, and Greta Keller.
Taylor Swift's Midnights 3 A.M. Edition tracks may be among the album's most brutal lyrically, but none express regret quite as strongly as “Would've, Could've, Should've,” seemingly about ...
Lover, Come Back to Me" is a popular song composed by Sigmund Romberg with lyrics by Oscar Hammerstein II for the Broadway show The New Moon, where the song was introduced by Evelyn Herbert and Robert Halliday (as Robert Misson). The song was published in 1928.