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Musically, "Lover, You Should've Come Over" is a folk-pop [1] and soul ballad. [2] The song has a length of 6:43, [3] and is composed in 6 8 time and the key of D major.It moves at a tempo of 120 beats per minute, and Buckley's vocal range spans more than two octaves, from B 3 to D 6. [4]
The term "chord chart" can also describe a plain ASCII text, digital representation of a lyric sheet where chord symbols are placed above the syllables of the lyrics where the performer should change chords. [6] Continuing with the Amazing Grace example, a "chords over lyrics" version of the chord chart could be represented as follows:
Live in Chicago is a live DVD by Jeff Buckley, recorded on May 13, 1995 at Cabaret Metro during the Mystery White Boy tour. Soul Coughing co-headlined the show, and only audio of their set was recorded. [1]
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"You Don't Treat Me No Good" is a song by American soul group Sonia Dada. Released in 1992 as the group's debut single outside the United States, the song reached number two in New Zealand and became an unexpected number-one hit in Australia, spending four weeks atop the ARIA Singles Chart and ending 1993 as the nation's third-best-selling hit.
The song is set in the key of D ♭ major with a main chord pattern of B ♭ m7–G ♭ sus2–D ♭ /F-D ♭ sus-D ♭ –A ♭. [2]Co-writer Josh Osborne said that when writing the song, he and the co-writers were composing melodies when co-writer Sam Hunt suggested to make it a "kind of desperate thing, like the guy is pleading with this girl to come over."
"Lover" is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart. It was sung in the movie Love Me Tonight (1932) by Jeanette MacDonald. [1]Popular recordings in 1933 were by Paul Whiteman [1] and His Orchestra (vocal by Jack Fulton), Guy Lombardo and His Royal Canadians, and Greta Keller.
"I've Been Loving You Too Long" (originally "I've Been Loving You Too Long (To Stop Now)") is a soul music ballad written by Otis Redding and Jerry Butler. [2] Considered by music critics and writers to be one of Redding's finest performances and a soul classic, it is a slow, emotional piece with Redding's pleading vocals backed by producer ...