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The Concierto de Aranjuez ([konˈθjeɾ.to ðe a.ɾaŋˈxweθ], "Aranjuez Concerto") is a concerto for classical guitar by the Spanish composer Joaquín Rodrigo. Written in 1939, it is by far Rodrigo's best-known work, and its success established his reputation as one of the most significant Spanish composers of the 20th century.
Joaquín Rodrigo Vidre, 1st Marquess of the Gardens of Aranjuez (Spanish: [xoaˈkin roˈðɾiɣo]; 22 November 1901 – 6 July 1999), was a Spanish composer and a virtuoso pianist. He is best known for composing the Concierto de Aranjuez, a cornerstone of the classical guitar repertoire.
The concerto is Rodrigo's most popular work after the famous Concierto de Aranjuez. The four movements were based on six short dances for solo guitar by the 17th-century Spanish composer Gaspar Sanz and were taken from a three-volume work (1674, 1675, 1697) that is now commonly known as Instrucción de música sobre la guitarra española ...
Download as PDF; Printable version; ... Pages in category "Concertos by Joaquín Rodrigo" ... Concierto de Aranjuez; Concierto heroico;
An extended version of the second movement of Joaquín Rodrigo's Concierto de Aranjuez (1939) is included, as well as a piece called "Will o' the Wisp", from Manuel de Falla's ballet El amor brujo (1914–1915).
Renata Tarragó Fábregas (23 October 1927 – 2 August 2005), a Catalan guitarist and vihuelist, was a teacher and performer, both as a solo artist and an accompanist.She was the first female guitarist to record Joaquín Rodrigo's Concierto de Aranjuez, and was the editor of the first published edition of the Concierto de Aranjuez score.
"Narciso Yepes gave a most delicate account of Rodrigo's Concierto de Aranjuez. The range of timbres he can produce, to contrast phrases and to shape them, is astonishing . . . The work is not worthy of such playing." [18] "Guitar concerts in Carnegie Hall can be a frustrating affair.
Corea opens the Light as a Feather version of "Spain" with the adagio from Joaquin Rodrigo's Concierto de Aranjuez. Corea took inspiration from Spanish flamenco guitarist Paco de Lucia for this piece. [7] After the intro, the song switches to a fast, steady samba-like rhythm, in which the main theme and an improvisation part are repeated.