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Violin Concerto No. 2 in G minor can refer to: Antonio Vivaldi's Violin Concerto No. 2, in G Minor, Op. 8, Summer (L'estate) from The Four Seasons. Sergei Prokofiev's 1935 Violin Concerto No. 2 (Prokofiev) in G Minor, Opus 65. Bohuslav Martinů's 1943 Violin Concerto No. 2 (Martinů) in G Minor, H. 293.
Antonio Vivaldi's Concerto for Two Cellos in G minor, RV 531 [1] is a concerto for two cellos, string orchestra and basso continuo in three movements, believed to have been composed in the 1720s. It is Vivaldi's only concerto for two cellos, and begins unusually with an entry of the solo instruments alone.
Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène's edition of Vivaldi's Op. 8, 1725). The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year.
Concerto: Violin, strings: G minor: 334: La cetra, Op. 9 No. 3. Closely related to RV 460 ... F minor: 743: Lost – mentioned in Vivaldi's autograph thematic catalog
Antonio Vivaldi wrote a set of concerti for violin, strings and continuo, Op. 12, in 1729.. Concerto No. 1 in G minor, RV 317; Allegro Largo Allegro. Concerto No. 2 in D minor, RV 244
Concerto No. 1 for oboe, strings, and basso continuo in B-flat major, RV Anh. 143 (inauthentic) Allegro Adagio Allegro. Concerto No. 2 for violin, strings and basso continuo in C major, RV 188; Allegro Largo Allegro. Concerto No. 3 for violin, strings and basso continuo in G minor, RV 326; Allegro Grave Presto
Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène’s edition of Vivaldi’s Op. 8, 1725) Title page, 1725. Il cimento dell’armonia e dell’inventione (The Contest Between Harmony and Invention) is a set of twelve concertos written by Antonio Vivaldi and published in 1725 as Op. 8.
Op. 3, No. 12, RV 265 (solo violin) First movement of Vivaldi's 5th concerto from Agrell's Easy Genteel Lessons for the Harpsichord. Selfridge-Field describes these as replacing "the virile acrobatics of Vivaldi's violino principale [by] the gentle graces of virginal ornamentation: shakes, coulées, long apoggiaturas, and so forth".