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The BBC Two 1991–2001 idents were broadcast from 16 February 1991 until 19 November 2001, and again from 9 July 2014 until 26 September 2018, on BBC Two in the United Kingdom. The idents , which consisted of a sans-serif '2' in Gill Sans , accompanied by the colour viridian , [ 1 ] were created by branding agency Lambie-Nairn [ 2 ] (and later ...
A second refresh took place to coincide with the launch of BBC Two HD, replacing the BBC HD channel. All idents were updated with new soundtracks, with some even having two or three different versions. Three of the idents (Mirror, Seascape and Tent) feature songs from alt-J. [5] Many also lost the sound effects which went along with them.
On 27 September 2018, the 1991–2001 idents were retired once again and BBC Two introduced a new set of idents, based on scenes incorporating a curve motif resembling the number 2. The new branding is designed to reflect BBC Two's "constant evolution, constant eclecticism, [and] constant sense of quality".
BBC Two "Two" ident; BBC Two "Window on the World" idents; C. CBBC idents; Children's BBC presentation; Computer Originated World; N. Noddy (camera) This page ...
The 2015 rebrand consists of the 1991–2001 idents, but they now have the BBC Two 50 Years box replaced with BBC Two's regular teal-coloured box logo. However, BBC Two Northern Ireland airs the idents with the BBC Two Northern Ireland logo in the centre of the idents with the box removed.
The TWO ident in a stencil style font. The BBC Two "Two" ident was the station identification used on BBC2 between 30 March 1986 and 16 February 1991. [1] It was the last non-corporate look for the channel, and the only look until 2018 that did not feature a numeral '2' in the design.
BBC Two "Two" ident; BBC Two "Window on the World" idents; H. Happy Birthday BBC Two; P. Pauline Calf's Wedding Video; Pilkington Report; Ian Potter (writer)
The best known channel identity was for BBC Two, [10] commissioned by then-controller Alan Yentob in a bid to make the channel appear less stuffy. [11] All of the idents in the first series employed traditional live action. Later, with the change of target audience, a new generation of idents was commissioned and produced using CGI. [11]