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This artwork illustrates a scene from Aesop's fable, where a mouse gnaws at a hunter's net to free a captured lion. The story highlights themes of kindness and reciprocity, as the lion had previously shown mercy to the mouse, which now returns the favour. The artists made multiple copies of the painting. [2]
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Aesop's original fable was made the subject of a painting by Frans Snyders which in the 18th century entered the collection of the dukes of Newcastle. Robert Earlom (1743-1822) made a mezzotint engraving of this in 1772, of which there are both hand-coloured [ 6 ] and plain versions. [ 7 ]
The labyrinth of Versailles was a hedge maze in the Gardens of Versailles with groups of fountains and sculptures depicting Aesop's Fables. [1] André Le Nôtre initially planned a maze of unadorned paths in 1665, but in 1669, Charles Perrault advised Louis XIV to include thirty-nine fountains, each representing one of the fables of Aesop .
Rosemary Wells, reviewing Aesop's Fables wrote "Pinkney's Aesop is a visual treat. These are beautiful illustrations, combining pencil, colored pencil and watercolor with a light-as-air touch. .. The book is handsomely designed, in a large format, and fine paper sets off the illustrations to their best advantage." [1]
Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller who lived in ancient Greece between 620 and 564 BCE. Of varied and unclear origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers ...
The Lion and the Mouse; The Lion Grown Old; The Lion in Love; The Lion's Share; The Lion, the Bear and the Fox; The Lion, the Boar and the Vultures; The Man and the Lion; The Man with two Mistresses; The Mischievous Dog; The Miser and his Gold; Momus criticizes the creations of the gods; The Moon and her Mother; The Mountain in Labour; The ...
Gustave Doré pictured the admirers of a statue in an art gallery in full flight before a bystanding lion. Grandville pictured the lion with artists' implements engaged on his version of the story. [12] Benjamin Rabier's comic publication paired a group of admiring connoisseurs with a pendant of a lion creating his own painting in the desert. [13]