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Aidos or Aedos (/ ˈ iː d ɒ s /; [1] Greek: Αἰδώς, pronounced [ai̯dɔ̌ːs]) was the Greek goddess of shame, modesty, respect, and humility. [2] Aidos, as a quality, was that feeling of reverence or shame which restrains men from wrong.
The expense of spirit in a waste of shame Is lust in action; and till action, lust Is perjur’d, murderous, bloody, full of blame, Savage, extreme, rude, cruel, not to trust; Enjoy’d no sooner but despised straight; Past reason hunted; and no sooner had, Past reason hated, as a swallow’d bait, On purpose laid to make the taker mad:
Vicarious embarrassment, also known as empathetic embarrassment, is intrinsically linked to empathy. Empathy is the ability to understand the feelings of another and is considered a highly reinforcing emotion to promote selflessness, prosocial behavior, [14] and group emotion, whereas a lack of empathy is related to antisocial behavior.
The Gay Science (German: Die fröhliche Wissenschaft; sometimes translated as The Joyful Wisdom or The Joyous Science) is a book by Friedrich Nietzsche published in 1882, and followed by a second edition in 1887 after the completion of Thus Spoke Zarathustra and Beyond Good and Evil.
Shame was frequently reflected upon the perpetrator, as well. [16] Crucial to this definition are the ancient Greek concepts of honour (τιμή, timē) and shame (αἰδώς, aidōs). The concept of honour included not only the exaltation of the one receiving honour, but also the shaming of the one overcome by the act of hubris.
Gay Shame is a movement from within the queer communities described as a radical alternative to gay mainstreaming. The movement directly posits an alternative view of gay pride events and activities which have become increasingly commercialized with corporate sponsors as well as the adoption of more sanitized, mainstream agendas to avoid offending supporters and sponsors.
Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.. The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (), Purgatorio (), and Paradiso (), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos.
There is also a more traditional original of the discussion style of the poem, as many of the prophetic aspects of the poem are related to the Old Testament of the Bible. [18] Additionally, the reflective and questioning aspects are similar to the Psalms and the works of Saint Augustine , and the ode contains what is reminiscent of Hebrew prayer .