Search results
Results From The WOW.Com Content Network
"Someone Saved My Life Tonight" is a song with music by British musician Elton John and lyrics by Bernie Taupin, from John's 1975 album Captain Fantastic and the Brown Dirt Cowboy. It was released as a single on 20 June 1975, [2] the only single released from the album. Like the rest of the album, the song is autobiographical, and addresses an ...
There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay"). The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV).
In fact, apart from Nos. 7 and 8, the first series (Op. 10) is made of couples of études in a major key and its relative minor (the major key either preceding the minor key or following it) with none of the tonalities occurring twice (except for C major, which appears in No. 1 and then in the only couple which is not major-minor, i.e. Nos. 7 ...
Someone I know who has heard this song numerous times before who heard the lyric: "Someone saved my life tonight, Sugar Bear." For many years, until he found out the real lyric, he thought Elton was singing "Sugar Bear", and after reading the actual lyrics, he really was singing "Sugar Bear".
The most basic three-chord progressions of Western harmony have only major chords. In each key, three chords are designated with the Roman numerals (of musical notation): The tonic (I), the subdominant (IV), and the dominant (V). While the chords of each three-chord progression are numbered (I, IV, and V), they appear in other orders.
That whole idealistic feeling people get when they want to save something from dying when they basically know deep down inside that it's already dead. It's that heartbreaking, sickening part of love that you wouldn't wish on anyone if you didn't know that it's inevitable that they're going to experience it one day." [2]
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
In major keys, the chords iii and vi are often substituted for the I chord, to add interest. In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means ...