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The chromatic harmonica is a type of harmonica that uses a button-activated sliding bar to redirect air from the hole in the mouthpiece to the selected reed-plate desired. When the button is not pressed, an altered diatonic major scale of the key of the harmonica is available, while depressing the button accesses the same scale a semitone ...
Non-harmonica instruments were also used, such as double bass, accordion, piano, and percussion such as timpani and xylophone. In the 1970s, the Haletone Harmonica Orchestra (曉彤口琴隊) [10] was set up at Wong Tai Sin Community Centre. Fung On and others continued to teach harmonica and also set up harmonica orchestras.
3rd position (or "double cross harp" or "slant harp"): Dorian mode. Playing the harmonica a full tone above its intended key. This gives a dorian scale between 4 draw and 8 draw, though once again bends and overblows give players a variety of options. Blues players can achieve a tritone by bending the 6 draw.
Nearly all harmonica concertos are composed for the chromatic harmonica. One of the few exceptions is the 2001 concerto for the 10-hole harmonica by Howard Levy. The American classical and jazz harmonica soloist Larry Adler (1914-2001), for whom many composers wrote harmonica concertos. Such works include:
Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion).It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century and is credited with inventing the blow/draw mechanism that allows the harmonica to play different notes when the air is drawn instead of blown.
The Richter-tuned harmonica, 10-hole harmonica (in Asia) or blues harp (in America), is the most widely known type of harmonica. It is a variety of diatonic harmonica, with ten holes which offer the player 19 notes (10 holes times a draw and a blow for each hole minus one repeated note) in a three- octave range.