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WLIR-FM (107.1 FM, Talkradio 107.1) is a radio station licensed to Hampton Bays, New York, and serving eastern Long Island.The station's studios and offices are located on Third Avenue in Midtown Manhattan, [3] with additional offices on Long Island in Bay Shore, [4] and transmitting facilities located in Northampton in Suffolk County.
WLIR was a radio station that played a new music/modern rock format on the frequencies 92.7 FM, 98.5 FM, and 107.1 FM from the 1980s into the 2000s.Bob Wilson, longtime WLIR employee and historian, created the website WDAREFM.COM (Dare FM), which maintains the spirit of the original WLIR.
Craigslist headquarters in the Inner Sunset District of San Francisco prior to 2010. The site serves more than 20 billion [17] page views per month, putting it in 72nd place overall among websites worldwide and 11th place overall among websites in the United States (per Alexa.com on June 28, 2016), with more than 49.4 million unique monthly visitors in the United States alone (per Compete.com ...
Live on Long Island 04-18-80 is a 2-CD set recorded by The Marshall Tucker Band at Nassau Coliseum [1] and is the final recording of bassist and founding member Tommy Caldwell, occurring just ten days before his death in an automobile accident. Tommy Caldwell is pictured on the album cover.
A promotional recording, promo, or plug copy is an audio or video recording distributed free, ... "Licensed for promotional use only. Sale is prohibited." It may also ...
A soundboard recording is a sound recording of a concert taken from a direct connection to the soundboard at the venue. Soundboard recordings are considered to be among the highest quality bootleg recordings of live performances [ 1 ] [ 2 ] [ 3 ] though some soundboard recordings may have an off-balance audio mix.
For around two decades, the sands and marshes of Long Island’s Gilgo Beach kept a dark secret.. A killer or killers roamed the locality, luring in escorts and sex workers and brutally murdering ...
Most sound recordings for records before the 1950s were made by cutting directly to a master disc. Recording via magnetic tape became the industry standard around the time of the creation of the LP format in 1948, and these two technological advances are often seen as being joined, although 78 rpm records cut from tape masters continued to be manufactured for another decade.