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Fugue in C ♯ minor of the Well-Tempered Clavier Book I in Bach's handwriting. [1] The Prelude and Fugue in C-sharp minor, BWV 849, is a pair of keyboard compositions by Johann Sebastian Bach. It is the fourth prelude and fugue in the first book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer.
Bach's autograph of the 4th Fugue of Book 1 Bach's autograph of Fugue No. 17 in A ♭ major from the second part of Das Wohltemperirte Clavier Each set contains 24 pairs of prelude and fugue. The first pair is in C major , the second in C minor , the third in C ♯ major , the fourth in C ♯ minor , and so on.
BWV 848 – Well-Tempered Clavier, Book 1: Prelude and Fugue No. 3 in C-sharp major; BWV 849 ... in French Overture AB form, the B part is a single-line Fugue;
Explanation of clefs which begins the Klavierbüchlein, in Johann Sebastian's hand. Klavierbüchlein für Wilhelm Friedemann Bach (Bach's original spelling: Clavier-Büchlein vor Wilhelm Friedemann Bach) is a collection of keyboard music compiled by the German Baroque composer Johann Sebastian Bach for his eldest son Wilhelm Friedemann.
BWV 944 – Fantasia and Fugue in A minor; BWV 945 – Fugue in E minor (doubtful, possibly by Christoph Graupner) [46] [47] BWV 946 – Fugue in C major; BWV 947 – Fugue in A minor; BWV 948 – Fugue in D minor; BWV 949 – Fugue in A major; BWV 950 – Fugue in A major on a theme by Tomaso Albinoni; BWV 951 – Fugue in B minor on a theme ...
P. Prelude and Fugue in B minor, BWV 893; Prelude and Fugue in B-flat major, BWV 866; Prelude and Fugue in B-flat minor, BWV 867; Prelude and Fugue in B-flat minor, BWV 891
Prelude and Fugue in A minor, BWV 543 (sometime around 1708–1717) Prelude and Fugue in B minor, BWV 544; Prelude and Fugue in C minor, BWV 546; Prelude and Fugue in E minor, BWV 548; The Well-Tempered Clavier, Books I and II (1722 and 1742) Uncertain (formerly attributed to Johann Sebastian Bach) – Eight Short Preludes and Fugues; Wolfgang ...
Mid-eighteenth century manuscript copy of Prelude, BWV 555 in the durezza style of Girolamo Frescobaldi. While originally attributed to Bach, scientific examination of the extant manuscripts by Alfred Dürr in 1987 and subsequent stylistic analysis of the score by Peter Williams have suggested that the eight preludes and fugues might have been composed by one of his pupils, Johann Ludwig Krebs.