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English: Illustration of the Cherub with Chariot Faberge egg, the fourth Imperial Faberge egg.It has never been found nor directly photographed. This illustration is a "best guess" based on written descriptions and on the only photo in which its reflection appears against a pane of glass in a vitrine in 1902 (the reflection in the vitrine is the current image of the egg in the English ...
Original file (SVG file, nominally 355 × 54 pixels, file size: 18 KB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
WenQuanYi Micro Hei font, dual licensed under: This work is free software ; you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation ; either version 3 of the License, or any later version.
A fleuron (/ ˈ f l ʊər ɒ n,-ə n, ˈ f l ɜːr ɒ n,-ə n / [1]), also known as printers' flower, is a typographic element, or glyph, used either as a punctuation mark or as an ornament for typographic compositions. Fleurons are stylized forms of flowers or leaves; the term derives from the Old French: floron ("flower"). [2]
The file size of this SVG image may be abnormally large because most or all of its text has been converted to paths rather than using the more conventional <text> element. . Unless rendering the text of the SVG file produces an image with text that is incurably unreadable due to technical limitations, it is highly recommended to change the paths back to t
This logo image consists only of simple geometric shapes or text. It does not meet the threshold of originality needed for copyright protection, and is therefore in the public domain . Although it is free of copyright restrictions, this image may still be subject to other restrictions .
The Boston cherubs mostly date from the mid-18th century to around 1810 and have direct lineage to earlier funerary art, often showing a living human arched by wings. The John Stevens Shop of Newport began using Cherub effigies as early as 1705, and carvers in the Merrimack Valley region were using soul/cherub designs starting in the 1680s.
The other cherubs also show bold views and expressive twists of great originality. The colour presents a strong contrast between cool tones—the ice blue and midnight blue of the background and Mary's cloak—and the warm and luminous shades of the skin tones.