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The song talks of a love lost that the singer was going through and her deliberately asking herself while looking in the mirror why she allowed the love "to fall" apart, referencing the Wicked Queen's chant to the Magic Mirror in Snow White and the Seven Dwarfs: "Mirror, mirror on the wall". "Mirror Mirror" is also notable as one of the few ...
"Mirror" is a song by American rapper Lil Wayne featuring American singer-songwriter Bruno Mars. The second bonus track on the deluxe edition of Tha Carter IV (2011), was released to urban contemporary radio stations as the sixth and final single on September 13, 2011, through Young Money , Cash Money , and Universal Republic Records .
"Mirrors" was written and produced by Justin Timberlake, Timothy "Timbaland" Mosley and Jerome "J-Roc" Harmon, with additional writing from James Fauntleroy. [2] During an interview with Billboard magazine, Harmon recalled how the song was conceived in 2009, during the recording sessions for Timbaland's third studio album Shock Value II (2009), "He's [Timberlake] like, 'I'm gonna save this one ...
"Mirror, Mirror" is a song written by Bob DiPiero, John Jarrard and Mark D. Sanders and recorded by American country music group Diamond Rio. It was released in July 1991 as the second single from their self-titled album. It peaked at number 3 in the United States, [1] and number 4 in Canada.
"Mirror" is a song by American record producer Porter Robinson. It was released on August 26, 2020, as the third single from his second studio album Nurture (2021), by Mom + Pop . The song addresses themes of shame and self-criticism, and Robinson viewed it as a means to overcome his fears of external disapproval.
Mirrors is the sixth studio album by American rock band Blue Öyster Cult, released on June 19, 1979. It was the first BÖC album not produced by long-time producer and manager Sandy Pearlman , instead being produced by Tom Werman .
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The song's lyrics reference sadomasochist sexual practices, with Kills incorporating a dominatrix-inspired persona. [6] Consequence of Sound 's Alex Young interpreted the lyrical content as discussing "duplicity of identity, hubris, and objectification", which he also called "more relatable" than the themes portrayed in Perfectionist .