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Louis Theroux: Under the Knife is a TV documentary written and presented by Louis Theroux about the people and doctors involved in plastic surgery operations. Filmed mostly in the US, in the programme, Louis himself ends up getting liposuction. [1] [2]
The DVD also contains Georges Franju's first documentary Blood of the Beasts (1949), a depiction of a French slaughterhouse. [6] A Region 2 release of Eyes Without a Face was released on 21 April 2008 by Second Sight Films. [31] [32] A Region 4 edition of the film was released on 2 July 2007 by Umbrella Entertainment. [33]
Born to Be (also known as Transformation) is a 2019 American documentary film directed by Tania Cypriano. [1] The film follows a doctor who strives to give transgender people full access to health and surgical care. It premiered at the New York Film Festival on September 28, 2019, and is scheduled to be released online on November 18, 2020. [2]
Saving Face is a 2012 documentary film directed by Sharmeen Obaid-Chinoy and Daniel Junge about acid attacks on women in Pakistan.The film won an Emmy Award and the 2012 Academy Award for Best Documentary Short Subject, making its director, Sharmeen Obaid-Chinoy, Pakistan's first Oscar winner.
The film is based on the real-life story of Leola Mae Harmon and James Stallings, who married in 1971. The marriage lasted five years; Leola remarried happily in 1982 and continued her nursing career. She died of multiple organ failure in 1998. Stallings became a noted plastic and voice surgeon who pioneered vocal reconstructive surgery.
The film very loosely tracks the history of the real-life breast implant phenomenon, from its radical introduction through its widespread popularity. The movie continues to the Food and Drug Administration 's determination that silicone implants cause various illnesses and cancers , spawning federal regulations that forced the industry to ...
It was jarring at first, but we kind of put it together piece by piece," he told The Hollywood Reporter at the movie's Los Angeles premiere on Dec. 11. "Individually, the wig by itself looks kind ...
The film explores media, advertising and television's impact on the public in creating a ridiculous standard of beauty. Though sparse in visual effects, it is the first commercial film to attempt to use a computer-generated , three-dimensional, solid-looking model of a whole human body.