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The Threepenny Opera [a] (Die Dreigroschenoper [diː dʁaɪˈɡʁɔʃn̩ˌʔoːpɐ]) is a 1928 German "play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, The Beggar's Opera, [1] and four ballads by François Villon, with music by Kurt Weill.
Epica is a concept album based on Faust, Part One. It was followed by The Black Halo, which was based on Faust, Part Two. [1] The House of Atreus Act I and The House of Atreus Act II: Virgin Steele: Oresteia: Aeschylus: Two-part concept album based loosely on the Oresteia of Aeschylus [7] Jeff Wayne's Musical Version of The War of the Worlds ...
Two pieces of Shakespeare's plays were set to music by Loreena McKennitt: "Cymbeline" by Loreena McKennitt (Cymbeline, Act V, scene 2) "Prospero's Speech" by Loreena McKennitt (The Tempest, Act V, scene 1) "O Mistress Mine" by Emilie Autumn, from the album A Bit O' This & That (Twelfth Night, Act II, Scene III)
Art songs and other musical settings based on Johann Wolfgang von Goethe's poetry Pages in category "Musical settings of poems by Johann Wolfgang von Goethe" The following 35 pages are in this category, out of 35 total.
Credit: Kevin Mazur, Courtesy of the Prince Estate The Welcome 2 America tour launched in December 2010 and ran through April 2012 (including a memorable 21-date stint at the Forum in Los Angeles ...
To the formal aspects of the genre, the researcher refers, first, the didacticism of the genre of visions itself, which should reveal some truths to the reader; secondly, the presence of the image of a "clairvoyant" (or visionary), which has two functions: "he must perceive the content of the vision purely spiritually" and "must associate the ...
Howell estimates his group has submitted around 65,000 requests to federal agencies under the Freedom of Information Act, a law that governs public access to records produced by the government.
The Clairvoyant (US title: The Evil Mind) is a 1935 [1] British drama film directed by Maurice Elvey and starring Claude Rains, Fay Wray, and Jane Baxter. Based on the novel of the same name by Ernst Lothar, it was made at Islington Studios. [2] The film's sets were designed by the German art director Alfred Junge.