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The Taos art colony was an art colony founded in Taos, New Mexico, by artists attracted by the culture of the Taos Pueblo and northern New Mexico. The history of Hispanic craftsmanship in furniture, tin work, and other mediums also played a role in creating a multicultural tradition of art in the area.
The home of Gerald Cassidy, a founding member of the Sante Fe art colony in Santa Fe, New Mexico in the early 20th century, c. 1937. The Taos art colony in Taos, New Mexico is an example of more organic development. The semi-desert landscape, clear skies and stunning light, and the cultural richness of both Hispanic and Pueblo Indian cultures ...
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Many annual art events showcase Southwestern art. The Southwestern Association for Indian Arts hosts Indian Market every August in Santa Fe, New Mexico, which began in 1922. [44] Also begun is 1922 is the Gallup Inter-Tribal Indian Ceremonial which features a juried art show and art market, as well many other events, in Gallup, New Mexico. [45]
The Nazca lines (/ ˈ n ɑː z k ə /, /-k ɑː / [1]) are a group of over 700 geoglyphs made in the soil of the Nazca Desert in southern Peru. [2] [3] They were created between 500 BC and 500 AD by people making depressions or shallow incisions in the desert floor, removing pebbles and leaving different-colored dirt exposed. [4]
Saharan rock art is a significant area of archaeological study focusing on artwork carved or painted on the natural rocks of the central Sahara desert. The rock art dates from numerous periods starting c. 12,000 years ago, and is significant because it shows the culture of ancient African societies.
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She studied art in the United States and Europe. She made portraits of Pueblo Native Americans, desert landscapes and still lifes. Pelton's work evolved through at least three distinct themes: her early "Imaginative Paintings," art of the American Southwest people and landscape, and abstract art that reflected her spiritual beliefs.