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The hannya (般若) is a mask used in a traditional Japanese Noh theater, representing a jealous female demon. It is characterized by two sharp bull-like horns, metallic eyes, and a leering mouth. [1] In Noh plays, the type of mask changes according to the degree of jealousy, resentment, and anger of the female characters.
Oni Mask [44] is a story where a young girl goes off to work at a ladies' house to make money for her ailing mother. She talks to a mask of her mother's face once she is done with her work to comfort herself. One day, the curious coworkers see the mask and decide to prank her by putting on an oni mask to replace the mother's mask.
An akuma (悪魔) is an evil spirit in Japanese folklore, [1] [2] sometimes described in English-language sources as a devil or demon. [2] [3] An alternative name for the akuma is ma (ま). [4] Akuma is the name assigned to Satan in Japanese Christianity, and the Mara in Japanese Buddhism.
Two kami of earth, clay and pottery, either born from Izanami and Izanagi after Japan was made, or from Izanami's feces as she died from giving birth to Kagu-tsuchi. Hannya A Noh mask representing a jealous female demon. Haradashi A humanoid creature with a giant face on its stomach, that enjoys making people laugh with zany antics. Harionago
A dancing drummer wearing a Namahage costume, performed Namahage-Daiko in Akita Station.. The Namahage (生剥げ, なまはげ) [1] are demonlike beings portrayed by men wearing hefty oni (ogre) masks and traditional straw capes during a New Year's ritual, in local northern Japanese folklore of the Oga Peninsula area of Akita Prefecture.
Ushi-oni mask at the Warei-jinja at Uwajima The ushi-oni dashi (National Museum of Ethnology, Suita, Osaka) In the Nanyo Region of Ehime Prefecture, especially Uwajima and its surroundings, there is a local festival in which a procession of dashi (parade floats) called ushi-oni are paraded.
Author and folklorist Matthew Meyer has described the Kuchisake-onna legend as having roots dating back to Japan's Edo period, which spanned from the 17th to 19th centuries [1] but Japanese literature professor Iikura Yoshiyuki believes it dates from the 1970s. [3] In print, the legend of Kuchisake-onna dates back to at least as early as 1979.
The film was shot at the Inba Marsh in Chiba Prefecture, Japan. Onibaba was inspired by the Shin Buddhist parable of yome-odoshi-no men (嫁おどしの面, bride-scaring mask) or niku-zuki-no-men (肉付きの面, mask with flesh attached), in which a mother, disgusted by her daughter's affair with a priest, used a mask to pose as a demon and frighten the girl into believing that she was cursed.