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Philippine folk literature refers to the traditional oral literature of the Filipino people. Thus, the scope of the field covers the ancient folk literature of the Philippines' various ethnic groups , as well as various pieces of folklore that have evolved since the Philippines became a single ethno-political unit.
An elderly woman chanting a verse of the Pasyon in the Kapampangan language. Pabása ng Pasyón (Tagalog for "Reading of the Passion"), known simply as Pabása is a Catholic devotion in the Philippines popular during Holy Week involving the uninterrupted chanting of the Pasyón, an early 16th-century epic poem narrating the life, passion, death, and resurrection of Jesus Christ. [1]
Philippine epic poetry is the body of epic poetry in Philippine literature. Filipino epic poetry is considered to be the highest point of development for Philippine folk literature, encompassing narratives that recount the adventures of tribal heroes. These epics are transmitted through oral tradition using a select group of singers and chanters.
Filipino writers like Rin Chupeco and Louis Bulaong tackled modern issues like diversity and mental health, introducing international readers to Filipino culture. The popularity of Filipina writers like Ivy Alvarez, Yvette Fernandez, Marites Vitug, and Merlie M. Alunan also increased.
The pre-colonial native Filipino script called baybayin was derived from the Brahmic scripts of India and first recorded in the 16th century. [13] According to Jocano, 336 loanwords in Filipino were identified by Professor Juan R. Francisco to be Sanskrit in origin, "with 150 of them identified as the origin of some major Philippine terms."
In 1991, Cebuano poet Ernesto Lariosa received a grant from the Cultural Center of the Philippines. He used the grant to introduce the 4-s in Cebuano poetry: social sense, sound and story. The language he used was slack, devoid of strong metaphors. He used the language of the home and of the streets.
The culture of the Philippines is characterized by great ethnic diversity. [1] Although the multiple ethnic groups of the Philippine archipelago have only recently established a shared Filipino national identity, [2] their cultures were all shaped by the geography and history of the region, [3] [4] and by centuries of interaction with neighboring cultures, and colonial powers.
Intangible cultural heritage (ICH) includes traditions and living expressions that are passed down from generation to generation within a particular community. The Philippines, with the National Commission for Culture and the Arts [1] as the de facto Ministry of Culture, [2] ratified the 2003 Convention after its formal deposit in August 2006. [3]