Search results
Results From The WOW.Com Content Network
Elvis Presley Best r&r Foreign Artists Won [59] DownBeat Awards: 1955 Elvis Presley Best New Artist Won [60] 1957 Top Recording Personality of the last Year 3rd place [61] 1958 Best Male Singer 5th place [62] Edison Award: 1970 Worldwide 50 Gold Award Hits Vol. 1: Best Pop Music Nominated [63] Encore Awards: 1977 Elvis Presley Entertainer of ...
The Fastest Guitar Alive is a 1967 American musical comedy Western film directed by Michael D. Moore and starring singer Roy Orbison in his only acting role. The film features Orbison performing seven original songs, which appeared on his 1967 MGM album of the same name.
Joe Melson (born May 11, 1935) is an American singer and a BMI Award-winning songwriter best known for his collaborations with Roy Orbison, including "Only the Lonely" and "Crying", which are both in the Grammy Hall of Fame and have both been included in Rolling Stone's 500 Greatest Songs of All Time.
One of the women who got extra close to Elvis on the set of the Comeback Special was Susan Henning — a 20-year-old dancer and actress who landed the role of a virginal innocent that Presley's ...
According to the Rolling Stone review of the album, " 'The Complete Million Dollar Session' provides a rare post-Sun glimpse of Elvis Presley momentarily free of the golden shackles of stardom and the manipulative grasp of his manager, Colonel Tom Parker. His singing, especially on the gospel numbers, is natural and relaxed, minus some of the ...
This show was filmed for the documentary Elvis On Tour; however, the song was not included in that film but was released with other outtakes in 1992 on the home video release Elvis – The Lost Performances. A version filmed at Presley's last tour was included in the 1977 CBS special Elvis in Concert, broadcast after Presley's death.
"Only the Lonely (Know the Way I Feel)" is a 1960 song written by Roy Orbison and Joe Melson. [3] Orbison's recording of the song, produced by Fred Foster for Monument Records, was the first major hit for the singer. It was described by The New York Times as expressing "a clenched, driven urgency". [3]
As with other iconic Elvis performances re-created throughout the film — including his 1968 Comeback Special and Las Vegas show — Luhrmann and cinematographer Mandy Walker matched lighting ...