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Literal translation Definition Lacuna: gap: A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return
Franz Schubert composed his lied "An die Musik" (German for "To Music") in March 1817 for solo voice and piano, with text from a poem by his friend Franz von Schober. In the Deutsch catalog of Schubert's works it is number D547. The original key is D major. [1] It was published in 1827 as Opus 88, No. 4, by Thaddäus Weigl. Schubert dedicated ...
A musician who plays any instrument with a keyboard. In Classical music, this may refer to instruments such as the piano, pipe organ, harpsichord, and so on. In a jazz or popular music context, this may refer to instruments such as the piano, electric piano, synthesizer, Hammond organ, and so on. Klangfarbenmelodie (Ger.)
Franz Liszt composed about six dozen original songs with piano accompaniment. In most cases the lyrics were in German or French, but there are also some songs in Italian and in Hungarian. A single song, "Go not, happy day" after Alfred Tennyson, is in English. In several cases, Liszt took lyrics which were also set to music by Schumann ...
In 1825, Schubert composed a selection of seven songs from Scott's The Lady of the Lake.They were published in 1826 as his Opus 52. The songs are not intended for a single performer: the three songs of Ellen are for a woman's voice with piano accompaniment, while the songs for Norman and Malcolm Graeme were intended for the baritone Johann Michael Vogl.
The song is through-composed, meaning that every stanza is set to different music. Beethoven treated the text in two parts. The first, covering the first three stanzas, is set larghetto and marked dolce. There is a triplet accompaniment in the piano, with many modulations through the flat keys, creating a dreamy atmosphere.
Spiegel im Spiegel (lit. Tooltip literal translation 'mirror(s) in the mirror') is a composition by Arvo Pärt written in 1978, just before his departure from Estonia. The piece is in the tintinnabular style, wherein a melodic voice, operating over diatonic scales, and tintinnabular voice, operating within a triad on the tonic, accompany each other.
The numbered musical notation (simplified Chinese: 简谱; traditional Chinese: 簡譜; pinyin: jiǎnpǔ; lit. 'simplified notation', not to be confused with the integer notation) is a cipher notation system used in mainland China, Taiwan, Hong Kong, and to some extent in Japan, Indonesia (in a slightly different format called "not angka"), Malaysia, Australia, Ireland, the United Kingdom ...