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"I Only Have Eyes for You" is a song by composer Harry Warren and lyricist Al Dubin. The song was written for the 1934 film Dames , in which it was performed by Dick Powell . [ 1 ] Several other successful recordings of the song were made in 1934, and it later became a hit for the Flamingos in 1959 and Art Garfunkel in 1975.
"I Only Have Eyes For You" is noted also for being Garfunkel's first #1 single in the UK. Breakaway has proven to be Garfunkel's most successful solo album; although peaking at number 7 in the United States, which was lower than his first album Angel Clare (US #5), it has been certified platinum by RIAA .
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I Only Have Eyes for You" is a popular song by composer Harry Warren and lyricist Al Dubin and performed by many artists. I Only Have Eyes for You may also refer to: "I Only Have Eyes for You" (Buffy the Vampire Slayer), a 1998 television episode; I Only Have Eyes for You, a 1937 Merrie Melodies animated short film based on the song
It is the only official live recording he has released to date. The album was recorded live over two evenings - 12 and 13 April 1996 in The Registry Hall at Ellis Island, New York. It was released to celebrate the ending of his 12-year Walk Across America. The U.K. version of the album contains the additional track "I Only Have Eyes For You".
The band became popular in mid-to-late 1950s and are best known for their 1959 cover version of "I Only Have Eyes for You". They have since been hailed as being one of the finest and most influential vocal groups in pop and doo wop music history.
It was one of only three collaborations during his songwriting career, though he would later write songs for Thomas again—"While the City Sleeps" (1964) and "Baby Don't Look Down" (1966). [5] [6] The arrangement was done by H. B. Barnum; [7] some of it is based on the Flamingos' cover of "I Only Have Eyes for You" (1959). [6]
I Only Have Eyes for You is an album by American pop singer Johnny Mathis that was released on May 10, 1976, [1] by Columbia Records and included two new songs, "Yellow Roses on Her Gown" and "Ooh What We Do", which was written specifically for him, [3] as well as a contemporary arrangement of the 1934 title track that foreshadowed his recordings of standards that incorporated a disco beat ...