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The most common form of oxymoron involves an adjective–noun combination of two words, but they can also be devised in the meaning of sentences or phrases. One classic example of the use of oxymorons in English literature can be found in this example from Shakespeare's Romeo and Juliet, where Romeo strings together thirteen in a row: [11]
An oxymoron refers to a word, phrase, or use of language that seems to directly contradict itself, and it is believed to come from the Greek oxý (s), “sharp,” and mōrós, “dull.”
The ellipsis or omission of the second use of the verb makes the reader think harder about what is being said. "Painful pride" is an oxymoron, where two contradictory ideas are placed in the same sentence. "I had butterflies in my stomach" is a metaphor, referring to a nervous feeling as if there were flying insects in one's stomach.
The use of tautologies, however, is usually unintentional. For example, the phrases "mental telepathy", "planned conspiracies", and "small dwarfs" imply that there are such things as physical telepathy, spontaneous conspiracies, and giant dwarfs, which are oxymorons. [8] Parallelism is not tautology, but rather a particular stylistic device.
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Film adaptations of Shakespeare's works in languages other than English are numerous, including Akira Kurosawa's films Throne of Blood (1957, an epic film version of Macbeth), The Bad Sleep Well (1960, inspired by Hamlet) and Ran (1985, based on King Lear); and Vishal Bhardwaj's "Shakespearean trilogy" consisting of Haider (2014, a retelling of ...
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The attempt to support foregrounding theory, based on real reader responses, started with Willie Van Peer in 1986, [8] and since then, many studies have validated foregrounding theory's predictions. In 1994 Miall and Kuiken [ 9 ] had participants read three short stories one sentence after the other – and rank each sentence for strikingness ...