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American Progress, a painting of profound historical significance, has become a seminal example of American Western Art.Serving as an allegory for manifest destiny and American westward expansion, this 11.50 by 15.75 inches (29.2 cm × 40.0 cm) masterpiece was commissioned in 1872 by George Crofutt, a publisher of American Western travel guides and has since been frequently reproduced.
This is an accepted version of this page This is the latest accepted revision, reviewed on 2 February 2025. Cultural belief of 19th-century American expansionists For other uses, see Manifest Destiny (disambiguation). American Progress (1872) by John Gast is an allegorical representation of the modernization of the new west. Columbia, a personification of the United States, is shown leading ...
John Gast's 1872 painting American Progress depicts Columbia as the Spirit of the Frontier, carrying telegraph lines across the Western frontier to fulfill manifest destiny. After the United States gained independence from Britain in the American Revolutionary War, the new capital city of South Carolina was Columbia.
The original idea, though, dated far before newspaper columnist John O’Sullivan coined the phrase in 1845 in support of Polk’s ambitions. Westward expansion had been part of the American ...
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American Progress, 1872. John Gast (21 December 1842 in Berlin, Prussia – 26 July 1896 in Brooklyn) was a Prussian-born American painter and lithographer.. His most famous work is American Progress (1872); this painting and many of his drawings are found in the Autry Museum of the American West in Los Angeles.
The oil-on-canvas painting is about 40 inches by 50 inches and shows an elderly woman, possibly modeled on the artist's mother, teaching children in an austere classroom in Opie's native Cornwall ...
The woman, in the bottom-left corner of the scene, wears a blue headscarf, indicating she is married. The researchers say that while her left breast shows signs of breastfeeding, the right has a ...