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Newark, New Jersey, 1912. From roughly 1860 to 1920 [1] [2] painted photography backdrops were a standard feature of early photography studios. Generally of rustic or quasi-classical design, but sometimes presenting a bourgeoisie trompe-l'œil, [3] they eventually fell out of fashion with the advent of the Brownie and Kodak cameras which brought photography to the masses with concurrent ...
Portrait photography, or portraiture, is a type of photography aimed toward capturing the personality of a person or group of people by using effective lighting, backdrops, and poses. [1] A portrait photograph may be artistic or clinical. [1] Frequently, portraits are commissioned for special occasions, such as weddings, school events, or ...
Apagya studied photojournalism at the Accra School of Journalism, before opening his own studio in Shama, on Ghana's west coast, in 1982. [3] He is known today for his studio portraits made using brightly coloured backdrops. [4] Apagya's work is in The Contemporary African Art Collection (CAAC) of Jean Pigozzi. [5]
It became relatively easy and cheap to set up a photographic studio, so by the 1870s there were many thousands of portrait studios in Europe and America. [1] Despite this, remarkably few of the studios have survived to this day in a recognisable form. [2] The 'calotypes' process was introduced in 1840s. With the introduction of calotypes the ...
After two years with Sarony, Mora founded his own portrait studio and went on to become a friendly rival to his former mentor and contemporary stage photographers such as Benjamin J. Falk. [ 3 ] Mora specialized in producing cabinet card portrait photographs of Gilded Age celebrities, including actors, opera performers, writers, and prominent ...
Nadar was recognized for breaking the conventions of photographic portrait, choosing to capture the subjects as active participants. [16] As of 1 April 1895, Nadar turned over the Paris Nadar Studio to his son Paul. He moved to Marseille, where he established another photography studio in 1897. On 3 January 1909 he returned to Paris.