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Ecofiction (also "eco-fiction" or "eco fiction") is the branch of literature that encompasses nature or environment-oriented works of fiction. [1] While this super genre's roots are seen in classic, pastoral, magical realism, animal metamorphoses, science fiction, and other genres, the term ecofiction did not become popular until the 1960s when various movements created the platform for an ...
Classical mythology, also known as Greco-Roman mythology or Greek and Roman mythology, is the collective body and study of myths from the ancient Greeks and ancient Romans. Mythology, along with philosophy and political thought , is one of the major survivals of classical antiquity throughout later, including modern, Western culture . [ 1 ]
The Greek Heroic Age, in mythology, is the period between the coming of the Greeks to Thessaly and the Greek warriors' return from Troy. [1] The poet Hesiod (fl. c. 700 BCE) identified this mythological era as one of his five Ages of Man.
Among the best-known subjects of Italian artists are Botticelli's Birth of Venus and Pallas and the Centaur, the Ledas of Leonardo da Vinci and Michelangelo, and Raphael's Galatea. [2] Through the medium of Latin and the works of Ovid, Greek myth influenced medieval and Renaissance poets such as Petrarch, Boccaccio and Dante in Italy. [1]
The history of literature is the historical development of writings in prose or poetry that attempt to provide entertainment or education to the reader, as well as the development of the literary techniques used in the communication of these pieces.
In Italian literature Petrach's Triomphi, finished in 1374, is based around a procession of personifications carried on "cars", as was becoming fashionable in courtly festivities; it was illustrated by many different artists. [34] Dante has several personification characters, but prefers using real persons to represent most sins and virtues. [35]
The classical world has been defined as "the history, literature, myths, philosophy, and society of ancient Greece and Rome". [5] It has been argued that since Tolkien's mythology for England was largely medieval , he needed a classical setting to provide a suitable impression of historical depth .
Characters he placed lower than some of Hazlitt's other critical works; yet he allowed that, aside from such "outbursts" as his railing against the historical King Henry V, [327] and his over-reliance on quotation from Schlegel, Characters of Shakespear's Plays is filled with much that is admirable, notably Hazlitt's comparison of Chaucer's and ...