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The only limits to the kinds of sounds available are the limitations of the external module/tone generator, not the WX5 itself. A WX5 performer can sound like any melodic instrument: wind, string, percussion, keyboard, or purely electronic, including special sound effects. In addition most tone generators a mix of instruments can be programmed.
Their professional features included effects with higher quality, front-mounted drive bay panel with headphone output, dual mic/line inputs with physical level control knobs, digital coax in/out on both PCI card and drive bay, mixer with dB precision, phantom power for microphones (12V), ASIO, mixer presets, internal mixer rerouting, 64 MIDI ...
EM60, EM90, PM200, ES60, ES90 mixers PS75, PS100 speakers introduced 1974 PM1000 modular mixers introduced 1976 P2200 amplifiers introduced 1978 PM2000 mixers introduced 1983 REV1 Signal Processors introduced 1985 SPX90 Signal Processors introduced PM3000 mixers introduced 1986 DMP7 digital mixer introduced [3] 1992 PM4000 mixers introduced 1995
Mixers with onboard digital effects typically offer a wide range of these effects. create an audible test tone via an oscillator. The test tone can be used to troubleshoot issues before the band arrives and determine if channels are functioning properly. read and write console automation. be interfaced with computers or other recording equipment.
A few Dumble amps have a Dumbleator circuit built in, but most have "un-buffered" input jacks that tap directly out of the pre-amp and into the power amp. Dumble likely created this external loop because of the difficulty of fitting effects loop buffering into the amplifier chassis (and the limited use of effects loops for most players).
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