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Andrei Rublev has an approval rating of 95% on review aggregator website Rotten Tomatoes, based on 43 reviews, and an average rating of 8.9/10. The website's critical consensus states, "Andrei Rublev is a cerebral epic that filters challenging ideas through a grand scope -- forming a moving thesis on art, faith, and the sweep of history". [32]
Andrei Rublev (Russian: Андрей Рублёв, romanized: Andrey Rublyov, [1] IPA: [ɐnˈdrʲej rʊˈblʲɵf] ⓘ; c. 1360 – c. 1430) [2] [3] was a Russian artist considered to be one of the greatest medieval Russian painters of Orthodox Christian icons and frescoes.
Andrey Khrzhanovsky: Aleksandr Grave: Animation: Three Fat Men: Три толстяка: Aleksey Batalov, Iosif Shapiro: Lina Braknytė, Pyotr Artemyev, Aleksey Batalov, Valentin Nikulin: Fantasy: Two Tickets for a Daytime Picture Show: Два билета на дневной сеанс: Gerbert Rappaport: Aleksandr Zbruyev: Crime: The Ugly Story
Andrei Rublev (film) Apocalypse Now; B. Baarìa (film) Ben-Hur: A Tale of the Christ (1925 film) C. Calamity of Snakes; Cannibal Holocaust; The Charge of the Light ...
The film references Tarkovsky's 1966 film Andrei Rublev by having an icon by Andrei Rublev being placed in Kelvin's room. [14] It is the second of a series of three films referencing Rublev, the last being Tarkovsky's next film, The Mirror, which was made in 1975 and which references Andrei Rublev by having a poster of the film hung on a wall. [15]
Directed by Andrei Tarkovsky. 1960 The Steamroller and the Violin, a short film; 1962 Ivan's Childhood, the Golden Lion Award winner at the 1962 Venice Film Festival; 1966 Andrei Rublev; 1972 Solaris (sci-fi) 1975 The Mirror; 1979 Stalker; 1983 Nostalghia (drama) Others. 1934 Jolly Fellows directed by Grigori Alexandrov (musical comedy)
Andrey Rublev defaulted from his semifinal during the Dubai Championships on Friday for yelling in the face of a line judge. Alexander Bublik advances to Saturday's final against Ugo Humbert of ...
In 1968, after finishing Andrei Rublev, Tarkovsky went to the cinematographer's resort in Repino intending to write the script for The Mirror with Aleksandr Misharin. This script was titled Confession and was proposed to the film committee at Goskino. It contained popular themes such as a heroic mother, the war, and patriotism, but the proposal ...