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The piano is an example of a velocity-sensitive keyboard instrument. The piano, being velocity-sensitive, responds to the speed of the key-press in how fast the hammers strike the strings, which in turn changes the tone and volume of the sound. Several piano predecessors, such as the harpsichord, were not
Celestine Tate Harrington (October 15, 1955 – February 25, 1998) was an American quadriplegic street musician who was well known for playing the keyboard with her lips, teeth and tongue on the boardwalk in Atlantic City, New Jersey. Her 1976 child custody court battle with Philadelphia welfare officials gained national attention.
The piano action mechanism [1] (also known as the key action mechanism [2] or simply the action) of a piano or other musical keyboard is the mechanical assembly which translates the depression of the keys into rapid motion of a hammer, which creates sound by striking the strings.
A tale as old as time (or as old as the Internet): You feel any sort of pain in your body and head straight to the internet hoping for a definitive diagnosis and don’t get one.
An earworm happens when you have the “inability to dislodge a song and prevent it from repeating itself” in your head, explains Steven Gordon, M.D., neurotologist at UC Health and assistant ...
Pressing a key on the keyboard makes the instrument produce sounds—either by mechanically striking a string or tine (acoustic and electric piano, clavichord), plucking a string (harpsichord), causing air to flow through a pipe organ, striking a bell , or activating an electronic circuit (synthesizer, digital piano, electronic keyboard).
The right hemisphere has also been found to be correlated with emotion, which can also activate areas in the cingulate in times of emotional pain, specifically social rejection (Eisenberger). This evidence, along with observations, has led many musical theorists, philosophers and neuroscientists to link emotion with tonality.
Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing.