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The Symposium is a dialogue—a form used by Plato in more than 30 works. However, unlike in many of his other works, most of it is a series of speeches from different characters.
Platonic love is examined in Plato's dialogue, the Symposium, which has as its topic the subject of love, or more generally the subject of Eros. It explains the possibilities of how the feeling of love began and how it has evolved, both sexually and non-sexually, and defines genuine platonic love as inspiring a person's mind and soul and ...
Plato presents Alcibiades as a youthful student and lover of Socrates who would, in time to come, be the ruin of Athens through his change of allegiance in war.[6] Because of the high level of esteem for the community in ancient Greece, Alcibiades’ betrayal of his fellow soldiers ensures that he is looked down upon in all of Plato’s writings.
The roots of the classical philosophy of love go back to Plato's Symposium. [3] Plato's Symposium digs deeper into the idea of love and bringing different interpretations and points of view in order to define love. [4] Plato singles out three main threads of love that have continued to influence the philosophies of love that followed.
Plato uses this observation to illustrate his famous doctrine that the soul is a self-mover: life is self-motion, and the soul brings life to a body by moving it. Meanwhile, in the recollection and affinity arguments, the connection with life is not explicated or used at all.
In Plato's Symposium the members of a party discuss the meaning of love. Socrates says that in his youth he was taught "the philosophy of love" by Diotima, a prophetess who successfully postponed the Plague of Athens. In an account that Socrates recounts at the symposium, Diotima says that Socrates has confused the idea of love with the idea of ...
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The poem opens as a declaration of love and connection to one's Creator, stating: "Yedid Nefesh, Av HaRachaman – My Soulmate, Father of Compassion." This poem was first published in Venice in 1588 in a book titled Sefer Charedim. Its composition is commonly attributed to that book's publisher, Rabbi Elazar ben Moshe Azikri (1533–1600