Search results
Results From The WOW.Com Content Network
Brecht, in his typical anti-realist style, uses the device of a "play within a play".The "frame" play is set in the Soviet Union around the end of the Second World War.It shows a dispute between two communes, the Collective Fruit Farm Galinsk fruit growing commune and the Collective Goat Farmers, over who is to own and manage an area of farm land after the Nazis have retreated from a village ...
The Decision (play) Don Juan (Brecht) Downfall of the Egotist Johann Fatzer; Downfall of the Egotist Johann Fatzer (American premiere) Driving Out a Devil; Drums in the Night; The Duchess of Malfi (Brecht)
Eugen Berthold Friedrich Brecht [a] (10 February 1898 – 14 August 1956), known as Bertolt Brecht and Bert Brecht, was a German theatre practitioner, playwright, and poet.. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote The Threepenny Opera with Elisabeth Hauptmann and Kurt Weill and began a life-long ...
Trommeln in der Nacht (1918–20/1922), by Bertolt Brecht Torquato Tasso (1790), by Johann Wolfgang von Goethe Turandot, Prinzessin von China (1801), by Friedrich Schiller
Brecht himself translated the term as learning-play, [1] emphasizing the aspect of learning through participation, whereas the German term could be understood as teaching-play. Reiner Steinweg goes so far as to suggest adopting a term coined by the Brazilian avant garde theatre director Zé Celso , Theatre of Discovery , as being even clearer.
His new translation of Bertolt Brecht's Mother Courage and Her Children was performed at the Delacorte Theater in the summer of 2006, starring Meryl Streep and directed by George C. Wolfe. Kushner has also adapted Brecht's The Good Person of Szechwan, Corneille's The Illusion, and S. Ansky's play The Dybbuk.
Manfred Wekwerth and Gisela May during rehearsals of Mother Courage and Her Children (1978). Mother Courage and Her Children (German: Mutter Courage und ihre Kinder) is a play written in 1939 by the German dramatist and poet Bertolt Brecht (1898–1956), with significant contributions from Margarete Steffin. [1]
A theatrical production of the play became a priority for Brecht on his return from exile in 1947; he helped to direct its premiere at the Schauspielhaus Zürich, where it opened on 5 June 1948, with scenic design by Teo Otto. [10] Leonard Steckel played Puntila and Gustav Knuth played Matti. [11]