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The Burney Relief (also known as the Queen of the Night relief) is a Mesopotamian terracotta plaque in high relief of the Isin-Larsa period or Old-Babylonian period, depicting a winged, nude, goddess-like figure with bird's talons, flanked by owls, and perched upon two lions.
The art of Mesopotamia has survived in the record from early hunter-gatherer societies (8th millennium BC) on to the Bronze Age cultures of the Sumerian, Akkadian, Babylonian and Assyrian empires. These empires were later replaced in the Iron Age by the Neo-Assyrian and Neo-Babylonian empires.
Sumerian dignitary, Uruk, circa 3300-3000 BCE. National Museum of Iraq. [3] [4] Fragment of a Bull Figurine from Uruk, c. 3000 BCEVotive sculptures in the form of small animal figurines have been found at Uruk, using a style mixing naturalistic and abstract elements in order to capture the spiritual essence of the animal, rather than depicting an entirely anatomically accurate figure.
Late Ubaid – Middle Gawra (c. 4500–3500 BC) pendant seal and modern impression with quadrupeds motif from northern Mesopotamia, currently in the Metropolitan Museum of Art ( 93.17.122) Ubaid (6th–5th millennium BC) stamp seal and modern impression with horned animal and bird motif from northern Syria or southeastern Anatolia, currently in ...
Bucket and cone refer to twin attributes that are frequently held in the hands of winged genies depicted in the art of Mesopotamia, and within the context of Ancient Mesopotamian religion. The iconography is particularly frequent in art from the Neo-Assyrian Empire (911–605 BCE), and especially Assyrian palace reliefs from this period
Ancient Greek art includes much pottery and sculpture, as well as architecture. Greek sculpture is known for the contrapposto standing of the figures. The art of Ancient Greece is usually divided stylistically into three periods: the Archaic, the Classical, and the Hellenistic.
Style C used molds to create repeating patterns of curved lines, notches, slits, and other elements. The fluid designs make no use of traditional vegetal, geometric or animal themes. [20] The stucco work was sometimes colored in red or blue, and sometimes incorporated a glass mosaic. [21] The patterns cut into the stucco surface at an angle.
In Mesopotamia, the use of fountains date as far back as the 3rd millennium BC. An early example is preserved in a carved Babylonian basin, dating back to ca. 3000 B.C., found at Girsu , Lagash . An ancient Assyrian fountain "discovered in the gorge of the Comel River consists of basins cut in solid rock and descending in steps to the stream."