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Edwards stated that his film was inspired by the 1954 film, [156] and attempted to retain some of its themes, stating, "Godzilla is a metaphor for Hiroshima in the original movie. We tried to keep that, and there are a lot of themes from the '54 movie that we've kept."
It featured political and social undertones relevant to Japan at the time. The 1954 film and its special effects director Eiji Tsuburaya are largely credited for establishing the template for tokusatsu, a technique of practical special effects filmmaking that would become essential in Japan's film industry since the release of Godzilla (1954). [10]
Godzilla (/ ɡ ɒ d ˈ z ɪ l ə / ɡod-ZIL-ə) [c] is a fictional monster, or kaiju, that debuted in the eponymous 1954 film, directed and co-written by Ishirō Honda. [2] The character has since become an international pop culture icon, appearing in various media: 33 Japanese films produced by Toho Co., Ltd., five American films, and numerous video games, novels, comic books, and television ...
The 33rd Toho Godzilla movie is a classic solo outing updated with some truly dazzling CGI. In fact, ... the film returns to the themes of the 1954 original: the looming specter of nuclear ...
In 1954, Honda directed and co-wrote Godzilla, which became a box office success in Japan and was nominated for two Japanese Movie Association awards. Because of the film's commercial success in Japan, it spawned a multimedia franchise, recognized by Guinness World Records as the longest-running film franchise in history, that established the ...
The nod was also the first nomination for any movie featuring Godzilla, who made his big-screen debut in 1954. Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima accepted t ...