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Heads of three violin bows: (upper) transitional (F. Tourte), swan-bill head of a long 18th-century model, pike-head of a 17th-century model. A violin is usually played using a bow consisting of a stick with a ribbon of horsehair strung between the tip and frog (or nut, or heel) at opposite ends. A typical violin bow may be 75 cm (30 in ...
The origin of the violin family is unclear. [1] [2] Some say that the bow was introduced to Europe from the Byzantine Empire and the Islamic world, [3] [4] [5] while others say the bow was not introduced from the Middle East but the other way around, and that the bow may have originated from more frequent contact between Northern and Western Europe.
A violin consists of a body or corpus, a neck, a finger board, a bridge, a soundpost, four strings, and various fittings.The fittings are the tuning pegs, tailpiece and tailgut, endpin, possibly one or more fine tuners on the tailpiece, and in the modern style of playing, usually a chinrest, either attached with the cup directly over the tailpiece or to the left of it.
The playing ranges of the instruments in the violin family overlap each other, but the tone quality and physical size of each distinguishes them from one another. The ranges are as follows: violin: G 3 to E 7 (practical, notes up to A7 are possible); viola: C 3 to A 6 (conservative); violoncello: C 2 to A 5 (conservative); and double-bass: E 1 to C 5 (slightly expanded from conservative estimate).
The difference was likely compounded by the different sounds expected of violin music and fiddle music. Historically, the majority of fiddle music was dance music, [3] while violin music had either grown out of dance music or was something else entirely. Violin music came to value a smoothness that fiddling, with its dance-driven clear beat ...
The violin has been meticulously maintained and is considered to be in great condition. Without cracks and having never required patching, it is an excellent example of various principles of standing waves in string instruments. Its initial craftsmanship and resulting sound, in addition to its well-documented provenance and careful maintenance ...
The violin-like instruments that existed when Amati began his career only had three strings. [10] Amati is credited with creating the first four stringed violin-like instrument. [ 11 ] Laurence Witten also lists Amati and Gasparo' da Salo, as well as Pellegrino de' Micheli , also from Brescia; as well and Ventura di Francesco de' Machetti ...
The neck of a Baroque violin can be at a shallower angle to the body of the instrument than is the case on a modern violin, but again there was a great deal of variation. The neck angle can result in less pressure being exerted on the bridge from the strings.