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The song "Ain't No Love in Oklahoma" by Luke Combs was the first single to be released from the Twisters soundtrack. Starting with May 16, each song from Twisters: The Album were released as singles leading to the album's release, that provided a long musical runway and social media campaigns. Knobloch and Weaver deciphered on the release ...
Twister: Music from the Motion Picture Soundtrack was released on May 7, 1996 through Warner Bros. Records in CD, LP and cassettes, while Twister: Motion Picture Score was released through Atlantic Records three months later, on August 13, 1996. An expanded edition consisting of additional orchestral music which was not included in the first ...
Twisters (Original Motion Picture Score) is the score album to the 2024 film Twisters, directed by Lee Isaac Chung from the story and screenplay by Joseph Kosinski and Mark L. Smith, respectively; a standalone sequel to Twister (1996), the film stars Daisy Edgar-Jones, Glen Powell and Anthony Ramos amongst others.
Lê Thanh Điền (4 May 1967 – 25 December 2023), known online as Thanh Điền guitar and Thanh Dien guitarist, was a Vietnamese guitarist.. Born blind, he was known for his YouTube channel, where he provided backing music for singers singing old and modern songs.
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Lâm Nhật Tiến (born September 3, 1971) is a Vietnamese American singer who was affiliated with the music label Asia Entertainment Inc. from 1994 to 2016. [1] He gained prominence through numerous appearances in Asia Entertainment's music videos, establishing himself as one of Vietnam's leading male pop stars.
Nguyễn Thanh Tùng (born 5 July 1994), known professionally as Sơn Tùng M-TP ([s̪əːn˧ tuŋ͡m˨˩ ɛm˧ ti:˧ bi:˧]), is a Vietnamese singer-songwriter and actor.Born and raised in Thái Bình, Thái Bình province, his family discovered his singing ability when he was two years old.
The interview stirred confusion and disagreement among artists, the overseas community and Vietnam, including his statement that he was the highest paid Vietnamese artist in America, that he belonged to the generation of "enthusiastically dispelling Vietnamese-American music off Vietnam", that he deliberately avoided music shows abroad, as well ...