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Groovie Goolies is an American animated television show that had its original run Saturday mornings on CBS between 1970 and 1972. It was rebroadcast the following season on Sunday mornings. It was rebroadcast the following season on Sunday mornings.
A cover of Kiss' 1976 top-ten hit "Beth" appears as an unlisted track at the end of Appetite for Adrenochrome. The Groovie Ghoulies would continue to record cover versions of songs from the 1950s, 1960s, and 1970s for their releases throughout the rest of their career. Appetite for Adrenochrome was remastered and reissued by Lookout!
The Groovie Ghoulies were an American pop punk band from Sacramento, California, United States, whose music took inspiration from horror movies. [1] They released numerous albums, EPs, and singles, and toured internationally. The band's name was taken from the 1970s animated television series Groovie Goolies, a spinoff of Sabrina, the Teenage ...
It was the first Groovie Ghoulies album on which Scampi played drums. [6] "Dancing Late at Night" is a cover of the Jonathan Richman song. [7] "Boot Hill Express" is an instrumental track. [8] "The Highwayman" is a slice-of-touring-life song. [9] The album closes with a rendition of "Happy Birthday", which is unlisted. [10]
It also reached number five on the Cash Box Top 100. [4] It was produced by Dick Monda and Don Sciarrotta. [5] Monda produced music for the 1970-71 Filmation animated television series Groovie Goolies, for which the song was originally written and recorded. [6] The song makes a reference to Little Richard's "Tutti Frutti".
Yes, Dolly Parton does make the list two times.
The best country Christmas songs run the gamut from nostalgic, easy listening to power ballads to modern party tracks with some twang. Classics from the likes of Johnny Cash and Loretta Lynn are ...
Born in the Basement is the second album by the Sacramento, California punk rock band the Groovie Ghoulies, released in 1994 by Green Door Records. It was recorded at Egg Studios in Seattle with producer Conrad Uno and engineer Mark Guenther. The album's artwork is credited to The Poison Pen, with a band photo taken by Curt Doughty.