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Japanese cyberpunk also refers to a subgenre of manga and anime works with cyberpunk themes. This subgenre began in 1982 with the debut of Katsuhiro Otomo's manga series Akira, with its 1988 anime film adaptation (which Otomo directed) later popularizing the subgenre. Akira inspired a wave of Japanese cyberpunk works, including manga and anime ...
Akira is a Japanese cyberpunk media franchise based on Katsuhiro Otomo's seminal manga, Akira, published from 1982 to 1990. It was adapted into a 1988 anime film and three video games. A live-action feature film has also been in development since 2000, and a new anime television series by Otomo was also announced in 2019.
Battle Angel Alita, known in Japan as Gunnm (銃夢, Ganmu, lit. ' gun dream '), [a] is a Japanese cyberpunk manga series created by Yukito Kishiro and originally published in Shueisha's Business Jump magazine from 1990 to 1995.
Cyberpunk settings are dystopias with corruption, computers, and computer networks. The economic and technological state of Japan is a regular theme in the cyberpunk literature of the 1980s. Of Japan's influence on the genre, William Gibson said, "Modern Japan simply was cyberpunk."
Cyberpunk: Edgerunners (Japanese: サイバーパンク エッジランナーズ, Hepburn: Saibāpanku Edjirannāzu) is a cyberpunk original net animation (ONA) miniseries based on the video game Cyberpunk 2077 by Polish studio CD Projekt Red. [2]
Shinya Tsukamoto (塚本 晋也, Tsukamoto Shin'ya, born January 1, 1960) is a Japanese filmmaker and actor. With a considerable cult following both domestically and abroad, Tsukamoto is best known for his body horror/cyberpunk film Tetsuo: The Iron Man (1989), which is considered the defining film of the Japanese Cyberpunk movement, [1] as well as for its companion pieces Tetsuo II: Body ...
Japan Language Rubber's Lover ( ラバーズ・ラバー ) is a 1996 black and white Japanese cyberpunk - horror film written and directed by Shozin Fukui (best known for 964 Pinocchio )
964 Pinocchio (Japanese: ピノキオ√964, Hepburn: Pinokio√964, lit. ' Pinocchio√964 '), released in the United Kingdom as Screams of Blasphemy, is a 1991 Japanese cyberpunk-horror film directed by Shozin Fukui. It deals with the theme of brain-modified sex-slaves as well as mental breakdowns in a hallucinogenic thrill-ride.