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Georges Braque, 1913-14, Still Life on a Table (Duo pour Flute), oil on canvas, 45.7 × 55.2 cm, Lauder Cubist Collection, Metropolitan Museum of Art.jpg 574 × 487; 146 KB Georges Braque, 1913, Femme à la guitare (Woman with Guitar), oil and charcoal on canvas, 130 × 73 cm, Musée National d'Art Moderne, Centre Pompidou.jpg 1,733 × 3,039; 3 ...
Georges Braque was born on 13 May 1882 in Argenteuil, Val-d'Oise. [2] He grew up in Le Havre and trained to be a house painter and decorator like his father and grandfather. . However, he also studied artistic painting during evenings at the École supérieure d'art et design Le Havre-Rouen, previously known as the École supérieure des Arts in Le Havre, from about 1897 to 1
Braque began to introduce the theme of the bird into his Ateliers series in 1949 with Atelier IV (oil on canvas, private collection). [2] He worked on this theme from 1952 until his death, digging deeper and deeper into the bird concept and multiplying the references to flight. [3]
File: Georges Braque, 1910, Portrait of a Woman, Female Figure (Torso Ženy), oil on canvas, 91 x 61 cm, private collection.jpg
Still Life, also referred to as Glass and Guitar (French: Verre à pied et guitare), is a 1911 oil painting by the French artist Georges Braque, now in the Strasbourg Museum of Modern and Contemporary Art (inventory number 55.974.0.720). It was the first cubist painting ever bought by a public collection of France. [2]
The motif of the viaduct at l'Estaque had inspired Braque to produce three paintings marked by the simplification of form and deconstruction of perspective. [7] Six landscapes painted at L'Estaque signed Georges Braque were presented to the Jury of the Salon d'Automne: Guérin, Georges Rouault , and Matisse rejected Braque's entire submission.