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The album was named by the group to describe its struggles after the death of Robert Plant's son Karac in 1977, [6] and the taxation exile the band took from the UK. The exile resulted in the band being unable to tour on British soil for more than two years, and trying to get back into the public mind was therefore like "trying to get in through the 'out' door."
This was the last album released by the band before Bonham died of alcohol intoxication in 1980; Led Zeppelin disbanded less than three months later. [11] In 1982, Led Zeppelin released their last studio album, Coda, which contained outtakes from the band's previous recordings.
The album cover was designed by Hipgnosis, the fifth album cover the design group designed for Led Zeppelin. It was also the last album cover Hipgnosis designed before disbanding in 1983. The main four letters CODA are from an alphabet typeface design called "Neon Slim" designed by Bernard Allum in 1978. [10]
Captured here in Austin, Texas, in 2022, Robert Plant and Alison Krauss perform on their Raising the Roof Tour. Plant revisits he early years with Led Zeppelin in a new doc, "Becoming Led Zeppelin."
In Becoming Led Zeppelin, in theaters now, the drummer — whose sudden death at 32 in 1980 caused the group to disband — is heard through archival audio recordings from the rare interviews he ...
Led Zeppelin's In Through The Out Door failed to light the blue touch-paper, and their sign-off was more like a match burning out in an ashtray Exit Through The Out Door: the last days of Led Zeppelin
Some of their set was released on the subsequent live album and video. In 1995, Led Zeppelin were inducted into the Rock and Roll Hall of Fame; [3] Plant performed a medley of blues numbers at the induction show with Jimmy Page, John Paul Jones, Jason Bonham, Steven Tyler and Joe Perry, then they were joined by fellow inductee Neil Young for ...
Clockwise, from top left: Jimmy Page, John Bonham, Robert Plant, John Paul Jones Led Zeppelin were an English rock band who recorded 94 songs between 1968 and 1980. The band pioneered the concept of album-oriented rock and often refused to release popular songs as singles, [1] instead viewing their albums as indivisible, complete listening experiences, and disliked record labels re-editing ...