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Particularly famous examples of extended vocal technique can be found in the music of Luciano Berio, John Cage, George Crumb, Peter Maxwell Davies, Hans Werner Henze, György Ligeti, Demetrio Stratos, Meredith Monk, Giacinto Scelsi, Arnold Schoenberg, Salvatore Sciarrino, Karlheinz Stockhausen, Tim Foust, Avi Kaplan, and Trevor Wishart.
The technique of producing multiphonics with the voice is called overtone singing (typically with secondary resonant structure) or throat singing (typically with additional tones from throat trills). There is another technique done in whistling, where whistlers hum in their throats while whistling with the front parts of their mouths.
Vocal music often has a sequence of sustained pitches that rise and fall, creating a melody, but some vocal styles use less distinct pitches, such as chants or a rhythmic speech-like delivery, such as rapping. As well, there are extended vocal techniques that may be used, such as screaming, growling, throat singing, or yodelling.
This is a list of musical compositions that employ extended techniques to obtain unusual sounds or instrumental timbres. Hector Berlioz "Dream of Witches' Sabbath" from Symphonie Fantastique. The violins and violas play col legno, striking the wood of their bows on the strings (Berlioz 1899, 220–22). Heinrich Ignaz Franz von Biber; Battalia ...
Leslie Shepard (21 June 1917 – 20 August 2004) was a British author, archivist, and curator who wrote books on a range of subjects including street literature, early film, and the paranormal. [ 1 ] Career
The Alfred Wolfsohn Voice Research Centre was a project established to investigate the therapeutic and artistic potential of vocal expression.The Centre was founded by Alfred Wolfsohn in Berlin during 1935 and re-situated in London during 1943, where he and his contemporaries and successors developed principles and practices that provided the foundations for the use of an extended vocal technique.
Musical technique is the ability of instrumental and vocal musicians to exert optimal control of their instruments or vocal cords in order to produce the precise musical effects they desire. Improving one's technique generally entails practicing exercises that improve one's muscular sensitivity and agility. Technique is independent of musicality.
Examples can be found in the music of Robert Schumann, Franz Liszt, Anton Arensky, Mélanie Bonis, Vladimir Rebikov, Isaak Dunayevsky, Dmitri Shostakovich, Franek Kimono, etc. Particular poems might be associated with particular composers; the works of Frédéric Chopin were often accompanied by the poem cycle of Kornel Ujejski that he called ...