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The pictures came to the attention of writer Sir Arthur Conan Doyle, who used them to illustrate an article on fairies he had been commissioned to write for the Christmas 1920 edition of The Strand Magazine. Doyle was enthusiastic about the photographs, and interpreted them as clear and visible evidence of supernatural phenomena.
The concept design work of Alan Lee and John Howe for The Lord of the Rings (film series)(2001–03), for which the former won an Oscar, would change popular perceptions of the depiction of fairy cultures. The 2003 book, The Art of Faery, written by David Riche and mentored by Froud, contributed to the careers of twenty fairy artists of this ...
This file will not be in the public domain in both its home country and the United States until January 1, 2059 and should not be transferred to Wikimedia Commons until that date, as Commons requires that images be free in the source country and in the United States.
Richard Dadd (1 August 1817 – 7 January 1886) was an English painter of the Victorian era, noted for his depictions of fairies and other supernatural subjects, Orientalist scenes, and enigmatic genre scenes, rendered with obsessively minuscule detail.
Margaret Winifred Tarrant (19 August 1888 – 29 July 1959) was an English illustrator, and children's author, specializing in depictions of fairy-like children and religious subjects. She began her career at the age of 20, and painted and published into the early 1950s.
Amelia Jane Murray (1800–1896) or Lady Oswald, was a Victorian fairy artist from the Isle of Man. Her watercolor paintings depicted fairies and flowers and were inspired by the folklore of the island. She was the daughter of Lord Henry Murray and the niece of John Murray who was the 4th Duke of Atholl. [1] [2]