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Twinkie Clark, chief executive writer, and arranger for the American gospel group The Clark Sisters is widely credited as the originator of the classic shout sound in contemporary gospel music. [3] In its most standard form, shout music is characterized by very fast tempo, chromatic basslines and piano/organ chords, snare hits and hand claps on ...
The exact origin of preaching chords being played in African American Baptist and Pentecostal churches is relatively unknown, but is mostly believed to have started in either the early or mid-20th Century, at a time when many African-American clergymen and pastors began preaching in a charismatic, musical call-and-response style. [3]
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Gospel music is what it is today thanks to the countless Black artists who hand-crafted the genre. Mahalia Jackson. Mahalia Jackson is one of the matriarchs of gospel music. Born in poverty in New ...
Since the 1950s, sacred and liturgical music has been performed and recorded by many jazz composers and musicians, [4] [1] combining black gospel music and jazz to produce "sacred jazz", similar in religious intent, but differing in gospel's lack of extended instrumental passages, instrumental improvisation, hymn-like structure, and concern ...
The choir’s music is often covered by other artists such as: “2 Chronicles (This is the Answer)”, “New Born Soul”, “One More Day”, “I Can’t Help But Serve the Lord”, and “Keys to the Kingdom”. These songs have been covered and sampled by modern secular artists, which helps to bridge the gap between gospel and secular music.
What most African Americans would identify today as "gospel" began in the early 20th century. The gospel music that Thomas A. Dorsey, Sallie Martin, Willie Mae Ford Smith and other pioneers popularized had its roots in the blues as well as in the more freewheeling forms of religious devotion of "Sanctified" or "Holiness" churches—sometimes called "holy rollers" by other denominations — who ...
It is heavily associated with shout music (as the music and the bodily expression are largely inseparable). Accounts of nineteenth century African American slave spirituality use the term, as recorded in the book God Struck Me Dead: Voices of Ex-Slaves. All of my people were great Christians.