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In the Hyakki Yagyo Emaki from the Muromachi period, yōkai that appeared as umbrellas could be seen, but in this emaki, it was a humanoid yōkai that merely had an umbrella on its head and thus had a different appearance than that resembling a kasa-obake. [7] The kasa-obake that took on an appearance with one eye and one foot was seen from the ...
Violin Sonata in E-flat major, KV 26, see Violin Sonatas, KV 26–31 (Mozart) Violin Sonata in E-flat major (Ries) No. 2 of the Violin Sonatas, Op. 120 (Brahms) , arranged from the Clarinet Sonatas, Op. 120
Title page of 12 Fantasias for Solo Violin. Georg Philipp Telemann's collection of 12 Fantasias for Solo Violin, TWV 40:14–25, was published in Hamburg in 1735. It is one of Telemann's collections of music for unaccompanied instruments, the others being twelve fantasias for solo flute and thirty-six for solo harpsichord that were published in Hamburg in 1732–33, as well as a set of twelve ...
Sonata for Violin and Harp in B-flat major, Op. 16; Sonata for Violin and Harp in E-flat major, Op. 113; Sonata for Violin and Harp in E-flat major, Op. 114; Sonata for Violin and Harp in A-flat major, Op. 115; Sonata for Violin and Harp in C minor, WoO. 23; Charles Villiers Stanford. Violin Sonata No. 1 in D, Op. 11, 1877?
E ♭ cornet, also known as a soprano cornet; Tenor horn, known as an Alto Horn in the US; Tuba in E-flat (written at concert pitch when using the bass clef, only transposing when written in treble clef) Circular altohorn (Koenig horn) pitched in E ♭ Tenor cornet; Mellophone; Alto trombone; Vocal horn (cornet with an upward-facing bell)
Ferdinand Ries composed his Violin Sonata in E-flat major, WoO. 7 [a] in 1804, when he was 22 years old. Surviving in manuscript form in the Berlin State Library, there is no evidence the work was performed during the composer's lifetime and was amongst a number of compositions that remained unpublished at the composers death.
based on an unused theme by Beethoven, from the rejected final movement of the Wind Octet in E-flat major (1793), later used as theme in the Rondò for violin and piano in G major WoO 41 [2] - dedicated to Mischa Elman (1905) Scherzo: 1945: from String Quartet in A minor: Scherzo in the style of Dittersdorf: 1910
Another class of eye music is when the score is purposely made difficult for the performer. [1] For example, in Benedetto Marcello's cantata Stravaganze d’amore, the continuo part is written entirely in enharmonic chords, that is, "puns" of chord indications spelled with no regard to the key of the rest of the ensemble, but (in equal temperament) indistinguishable audibly from those spelled ...